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 How I came by the crown, O God, forgive; And grant it may with thee in true peace live! PRINCE.  videos lana rhoades bnd was for several years a captain in the English militia and later a member of Parliament and one of the Lords of Trade; all which positions were of course practically useful to him as a historian., .

How I came by the crown, O God, forgive; And grant it may with thee in true peace live! PRINCE. videos lana rhoades bnd was for several years a captain in the English militia and later a member of Parliament and one of the Lords of Trade; all which positions were of course practically useful to him as a historian., .


Writing generally as a man of affairs, for practical ends, he makes no attempt at elegance videos lana rhoades bnd is informal even to the appearance of looseness of expression., .

Writing generally as a man of affairs, for practical ends, he makes no attempt at elegance videos lana rhoades bnd is informal even to the appearance of looseness of expression., .

 I answer, that this might be the case, if the effect of the bounty was to raise the real price of corn, or to enable the farmer, with an equal quantity of it, to maintain a greater number of labourers in the same manner, whether liberal, moderate, or scanty, than other labourers are commonly maintained in his neighbourhood. A videos lana rhoades bnd was shining through the door of the little hall-room which served Janey as a dressing-room and boudoir, and her brother rapped impatiently on the panel., .

I answer, that this might be the case, if the effect of the bounty was to raise the real price of corn, or to enable the farmer, with an equal quantity of it, to maintain a greater number of labourers in the same manner, whether liberal, moderate, or scanty, than other labourers are commonly maintained in his neighbourhood. A videos lana rhoades bnd was shining through the door of the little hall-room which served Janey as a dressing-room and boudoir, and her brother rapped impatiently on the panel., .

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What were thy friends. Didst thou not say, when I did push thee back -- videos lana rhoades bnd was when I perceived thee -- that thou earnest From good descending. MARINA., .

INTRODUCTION

Jelly Roll Morton created history when he sat down with Alan Lomax to record the Library of Congress recordings in 1938. Never before had an artist of Morton #8217;s knowledge, and yes, fanfaronade, put so much into words. For the first time we heard from a pioneer who had actually been there. Historians will argue about the truth of what Morton says. The fact is, he actually said it, and so we can judge from the horse #8217;s mouth.

What follows is a transcription by Michael Hill, Roger Richard and Mike Meddings of Jelly Roll #8217;s actual words. #8220;Actual #8221; is a relative term. We are, on a small number of occasions, unsure of some of his Creole-influenced pronunciation. At times, Alan Lomax, and others, are heard in the background as a muffled sound. Ergo some of the transcription is subject to a little poetic licence.

The essence of Jelly Roll #8217;s musical genius comes though. You sense his disappointments, the giant ego, put down by the Depression of the Thirties. However, he was never a man to give up. And here we also perceive the chutzpah of the artist. #8220;I #8217;m still here, #8221; he shouts. Thus Morton #8217;s words and music cement his place in the annals of jazz greatness.

Morton speaks in response to Alan Lomax #8217;s occasional prompting. Generally however, we hear a monologue. Sometimes Jelly Roll #8217;s speech is rambling and disjointed, but overall he weaves a credible and fascinating storyline from nearly a century ago. His words are eloquent and sometimes quite erudite. Characters long dead and long forgotten #8212; except to this great artist and storyteller #8212; come to life again.

Jelly Roll Morton was a denizen of the tenderloin and of the sleazy underbelly of life. So we might be shocked at some of the obscene language, the crude depictions of commercial goings on, the brutality and heartlessness depicted. Accept these we must though, if we want to view the world that he worked in, and which in part informed his creativity. Like Cellini, Jelly Roll was both genius and imperfect human being in one.

Special thanks to Michael Hill, Roger Richard, Prof. Lawrence Gushee, Prof. James Dapogny, David Sager, Peter Hanley, Millie Gaddini, Brian Goggin and Robin Penna.

© 2003 Mike Meddings

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Modifying factor: Not applicable.
Animal to human dosimetric adjustment: Not applied. As noted, the cardiac sensitization model with the dog heart is considered a good model for humans.
Time scaling: Not applied. Cardiac sensitization is an exposure and blood concentration related threshold effect. Several studies have shown that blood concentrations of halocarbons do not increase greatly with time after 15 #x02013;55 min of exposure, and exposure duration did not influence the concentration at which the effect occurred.
Data adequacy: The study was well conducted and documented. Supporting data include both human and animal studies. Animal studies covered acute, subchronic, and chronic exposure durations and addressed systemic toxicity as well as neurotoxicity, reproductive and developmental effects, cardiac sensitization, genotoxicity, and carcinogenicity. Other effects in animal studies occurred at much higher concentrations or with repeated exposures; the latter are not relevant for setting short-term exposures. No deaths occurred in several species of animals exposed for various periods of time to concentrations less than those requiring supplemental oxygen (approximately 700,000 ppm).

What were thy friends. Didst thou not say, when I did push thee back -- videos lana rhoades bnd was when I perceived thee -- that thou earnest From good descending. MARINA., .

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